How long is narnia prince caspian




















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See our privacy policy. A lot or a little? The parents' guide to what's in this movie. Positive Messages. Positive Role Models. Some mild flirting; a single tender kiss at the end. What parents need to know Parents need to know that this sequel to the enormously popular The Lion, the Witch and the Wardrobe has more dark moments than the first movie.

Continue reading Show less. Stay up to date on new reviews. Get full reviews, ratings, and advice delivered weekly to your inbox. User Reviews Parents say Kids say. Adult Written by Harry Potter 1 June 8, This movie has neither the wonder of Narnia fou Continue reading. Report this review. Great family Adventure Took our 8 and 10 year old to see the movie. A couple of scenes where a little scary and there certainly is a lot of violence. The violence is without gore, b Teen, 16 years old Written by Loranikas November 5, Terrible ebook!

This is a terrible ebook. Photos Top cast Edit. Sergio Castellitto Miraz as Miraz. Peter Dinklage Trumpkin as Trumpkin. Warwick Davis Nikabrik as Nikabrik. Alicia Borrachero Prunaprismia as Prunaprismia. Andrew Adamson. More like this.

Watch options. Storyline Edit. A year has passed by since the Pevensie children stepped through the wardrobe. In Narnia, centuries have passed since the defeat of the White Witch. Now the foursome are sent back to Narnia to find that everything was destroyed and the Narnia they once knew is gone forever.

They come to aid the young Prince Caspian, who is leading a group of Old Narnians to wage war against his malicious uncle Miraz, who rules Narnia with an iron fist. Will they succeed? When will Aslan return? A New Age Has Begun. Action Adventure Family Fantasy. Rated PG for epic battle action and violence. Whereas the previous film was predominantly shot in New Zealand with a few months of filming in Central Europe, Adamson decided New Zealand lacked enough sound stages to accommodate the larger scale of the film.

The decision to film most of the picture in Europe also allowed the ability to shoot during summer in both continents. Filming began on February 12, in Auckland. The filmmakers chose the location because it had a tunnel-like arch, which echoed the train tunnel the children go into before being summoned back into Narnia. Henderson Valley Studios was used for the Pevensies' ancient treasure room and the underground station.

On April 1, , the crew began filming at Barrandov Studios in Prague. There, sets such as Miraz's castle, Aslan's How and the underground hiding places of the Narnians were created. The foot tall castle was built to scale because Adamson felt he overused digital sets on the last film.

The castle was built in the open air during winter, where the temperature would drop to minus 20 celsius. Miraz's courtyard is the largest set in production designer Roger Ford's career, including the previous Narnia film. Aslan's How was modified into the hideout after filming for those scenes was finished. To create Trufflehunter's den, Ford's crew put a camera inside a badger's den to study what it should look like.

The den's roof had rise by three inches because Ben Barnes was too tall. The location was chosen for its resemblance to New Zealand. A large bridge was built, which was modelled on the one Julius Caesar built to cross the Rhine. Whereas Caesar supposedly built his bridge in ten days, the filmmakers had around forty.

The schedule was short though, but the authorities would only allow them this build time to not completely disrupt normal summer activities on the lake. The filmmakers made a trench to change the river's course, so they could deepen the drained sides of the riverbed so it looked like one could drown in it. The crew also cut down trees for shots of the Telmarines building the bridge; the trees were moved to another side of the river for decoration.

The bridge stood for two months before being dismantled. As part of the clean-up, the cut-down trees and parts of the bridge were sent to a recycling plant, while other portions of the bridge were sent to the studio for close-ups shot against bluescreen. The filmmakers dug a large hole in the ground for the scene where the Narnians cause the pillars supporting the growth near Aslan's How to collapse on the Telmarines. The earth was then restored following completion of the scene.

They also had to restore the grass after filming numerous cavalry charges. A scene shot in Poland, which involved building a cliff face, also had to leave no trace behind. The scale of special effects led Andrew Adamson to base production in the UK, to take advantage of new tax credits. Therefore, it legally qualifies as a British film.

This also meant the director only had to walk five minutes from the editing room to supervise the effects. Framestore worked on Aslan , Trufflehunter and the door in the air; Scanline did the River-god; Weta created the werewolf, the wild bear and Miraz's castle; MPC and Escape Studios did the main battle, the tunnel scene, the castle assault, the council scenes and all the other creatures.

Alex Funke, who worked on The Lord of the Rings , directed the film's miniatures unit. A scale model was built of the Narnians' cave hideouts during the climactic battle, which the actor playing the giant Wimbleweather was filmed against. One of the improvements made over the previous film was to make the centaurs walk during dialogue scenes, so Cornell John as Glenstorm wore Power Risers mechanical stilts with springs , to mimic a horse's canter and height.

The animatronic Minotaur heads were also improved to properly lip sync, although this was not as successful as hoped and had to be revamped digitally. In the climactic battle, extras stood in for the Narnians, while extras were used for the Telmarines. These were digitally duplicated until there were 1, Narnians and 5, Telmarines onscreen.

The animators found it easier to create entirely digital centaurs and fauns, rather than mix digital legs with real actors. The dryads were entirely computer-generated, whereas in the first film digital petals had been composited over actors. However, Adamson had chosen to make the centaurs not wear armour, meaning the animators had to make the human—horse join behave more cohesively. Combining digital characters with actors, such as when Lucy hugs Aslan, had become easier since the first film, as lighting had improved.

For the griffins, a motion control rig was created for the actors to ride on. The rig could simulate subtle movements such as wing beats for realism.

Adamson cited the river-god as the character he was most proud of. The film features catapults resembling windmills, that can fire rapidly, and a ballista that can fire three projectiles at a time. The practical versions of these were metal with fibreglass painted and aged to resemble wood on top. Log in with Facebook. Email address. Log In. First Name. Last Name. By signing up, you agree to receiving newsletters from Rotten Tomatoes. You may later unsubscribe.

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How did you buy your ticket? View All Photos Movie Info. One year after their previous adventure, the Pevensie children Georgie Henley, Skandar Keynes, William Moseley, Anna Popplewell return to the magical land of Narnia and find that years have passed there. War has come to Narnia once again, and the children join forces with Prince Caspian Ben Barnes to overthrow the evil King Miraz and restore peace to the land.

Andrew Adamson. May 16, wide. Dec 2, Walt Disney. Georgie Henley Lucy Pevensie. Skandar Keynes Edmund Pevensie. William Moseley Peter Pevensie. Anna Popplewell Susan Pevensie. Ben Barnes Prince Caspian. Peter Dinklage Trumpkin. Pierfrancesco Favino Glozelle. Warwick Davis Nikabrik.



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